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Date(s) - 17/05/2017
8:30 pm - 10:00 pm

Location
Milano, Teatro Litta

Programma

Homage a György Kurtág (1926)
Játékok (1973-2010) selection
Eight pieces for piano op. 3 (1960)
Splinters op. 6/d (1978)
Transcriptions from  Johann Sebastian Bach

Pianists selected by the project Call for Young Performers
(Masterclass by Maria Grazia Bellocchio)

LUIGI ANTONIO NICOLARDI – ERICA PAGANELLI
Purcell/Kurtág – Fantasia upon One Note
MAGDALENA CEREZO FALCES
Otto pezzi Op. 3
RICCARDO BISATTI
A flower for Martha
GIORGIO PESENTI
Splinters op. 6/d
ERIK BERTSCH
Ligatura for Ligeti
ALESSIA CECCHETTI
Five-finger play
Scherzo
Tumble-bunny
Double-notes
Russian Dance
Hommage à Farkas Ferenc (evocation of Petrushka)
ERIK BERTSCH
Merran’s Dream (Caliban detecting-rebuilding Mirranda’s dream)
GIACOMO CARNEVALI
Day-dreaming…
In memoriam Pál Járdányi [Preludium a kétzongorás szonátához]
In memoriam Dr. György Nádor
Dialog for the 70th birthday of András Mihály (or: how can one answer to the same 4 sounds with only 3)
LUIGI ANTONIO NICOLARDI-ERICA PAGANELLI
Cloches, Hommage à Stravinskij
DANIELE FASANI
Hommage a Jeney  (Phone numbers of our loved ones 1)
Quarrelling
Hommage a Vidovszky (Phone numbers of our loved ones 2)
(Star-music)
Angrily
Hommage a Varese
Labyrinthine D
Hommage a Zenon
LUIGI ANTONIO NICOLARDI-ERICA PAGANELLI
Choral furieux
GIOVANNI GALLETTA
… and once again: Shadow-play
La fille aux cheveux de lin – enragée
Hommage tardif à Karskaya
Capriccioso – luminoso
Like the flowers of the field
Farewell to Pàl Kadosa
The little squall
Do – Mi D’ arab
In memoriam Maurice Fleuret
LUIGI ANTONIO NICOLARDI-ERICA PAGANELLI
Bach/Kurtág – Alle Menschen müssen sterben BWV 643
RAFFAELLA CALIA
Thus it happened…
Play with infinity
Pantomima
Litigio
LUIGI ANTONIO NICOLARDI – ERICA PAGANELLI
L’homme n’est qu’une fleur (..Sons entrelacés)
ELISABETTA GALINDO PACHECO
Empergos
Hommage à Christian Wolff
Hommage à Ranki Gyorgy
Kettosfogasok
Bogàncs
RAFFAELLA CALIA – ELISABETTA GALINDO PACHECO
Virag az ember
Hommage à J.S.B.
Virag az ember (alio modo)
ERIK BERTSCH
Tears
RICCARDO BISATTI
Hommage a Bartok
Hommage a Ligeti
Hommage a Tchaikovsky
Hommage a Paganini
Hommage a Balint Endre
Hommage a Schubert
Hommage a Scarlatti
Hommage a Kurtag Marta
Hommage a Bach
Hommage a Stockhausen
LUIGI ANTONIO NICOLARDI – ERICA PAGANELLI
J.S. Bach/Kurtág – O Lamm Gottes unschuldig BWV 618
ERIK BERTSCH
Face to face
All’Ongherese – Hommage à Gösta Neuwirth
…humble regard sur Olivier Messiaen…
In memoriam Edison Desinov
Sirens of the deluge – Waiting for Noah
Fugitive thoughts about the Alberti bass
…and once again: Shadow-play
Hommage à Pierre Boulez
Ligatura y
LUIGI ANTONIO NICOLARDI – ERICA PAGANELLI
Bach/Kurtág – Sonatina, dalla Cantata Gottes Zeit ist die allerbeste Zeit (Actus Tragicus) BWV 10


Játékok by György Kurtág collects hundreds of short piano pieces for two and four hands that are divided into eight volumes. The work originated in 1960, a year in which he composed a few songs for his son. Thirteen years later he wrote another series of nineteen pieces in addition to those written for his son. Since then, writing Játékok has become a lifelong project for Kurtág. He wrote that the work was “inspired by the child who forgets himself while playing, the child for whom the instrument is still a game.” In Hungarian, the word Játékok indeed means games.

Kurtàg certainly did not want to write a method to develop keyboard technique with Játékok, but on the contrary, his intention was to stimulate the curiosity of the young pianist, to foster his freedom and joyfulness, to encourage his immediate involvement in the experience of sound, the ability to hear the sounds produced, and, above all, to express emotion. Maria Grazia Bellocchio writes: “In Játékok one can find small formulas and few notes, in which Kurtág seems to pour out his life. It is likely that in these pieces, which are like a diary, he has transferred memories: the thinking of a person, the memory of a composer or of a dance, and pain or mourning. Kurtág has a certain imagination and intensity that helps him translate everything he sees and hears into music.
The young pianists performing in this concert attended the masterclass of Maria Grazia

Bellocchio, which started in December 2016 and is entirely dedicated to the piano work of Kurtág.

 

 

 

 

 


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